A tale in the desert classes11/7/2022 ![]() ![]() After night must come light, right? Little Big Town’s album “Mr. ![]() In the Variety review out of the Sundance Film Festival, critic Lisa Kennedy wrote that, “Castro’s debut feature deals with heartache and vulnerability but also shimmers with joy and genuine insight.” It’s the directorial debut of Isabel Castro, also a Mexican American, and will be available to watch on Friday. Over on Disney+, the original documentary “Mija” tells the story of Doris Muñoz and Jacks Haupt, the daughters of Mexican immigrants who are trying to make their way in the music business in the U.S. By all accounts the Spanish language film, directed by Mariano Cohn and Gaston Duprat, is deliriously fun and funny and a great showcase for its leads Cruz and Banderas. #A tale in the desert classes movieThe sharp satire skewering the movie business (and the art world in general) stars Penélope Cruz and Antonio Banderas as two egomaniacs who a billionaire hires to make a film together. A year after “Official Competition” premiered to raves at the 78th Venice Film Festival, it’s finally coming to a streaming service, AMC+, on Friday. Directed by Matt Sobel, “Goodnight Mommy” arrives on Prime Video on Friday. She’s also quite on edge and suspiciously cruel and the boys, Elias (Cameron Crovetti) and Lucas (Nicholas Crovetti) start worrying that it is not, in fact, their mother, but an imposter. Naomi Watts plays the mother, an actress whose face is wrapped in bandages - presumably recovering from plastic surgery. Twin brothers go to their mother’s house for a stay but find something is off about her in “Goodnight Mommy,” an English language remake of a cult Austrian horror from 2014. But the hole everyone must see to believe is the par-3 fifth, “Het Girdle,” its green a frying pan turned upside down with bunkers gouged into its sides.Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week. Over the decades, various publications have listed various Gleneagles holes as Best in the World, including the long, uphill par-4 fourth, the dinky “Denty Den” 14th, now a drivable par 4 thanks to advanced technology, and the short par-4 17th with its wasp-waist of a fairway. It’s a pleasant stroll but a difficult test of golf. ![]() #A tale in the desert classes fullBut to golf architecture fans, and Golf Digest panelists, the King’s is still king, (Braid, by the way, always considered King’s to be his best work.) The course meanders along novel topography, full of odd elephant-shaped mounds, humps and abrupt gulches, lined with pine, fir, heather and bracken. Hutchison, and studiously preserved for the last hundred years, the King’s Course at Gleneagles Hotel has been overshadowed in recent times by the emergence of the resort’s Jack Nicklaus-designed PGA Centenary Course, which hosted the 2014 Ryder Cup. Rock outcroppings are a frequent hazard in the rough, and a few greens are protected by manmade fault lines that look incredibly natural, like the ground had slumped following a tremor.Ĭonstructed just after the First World War by James Braid, with the assistance of then-budding designer C.K. “We sought to mimic the surroundings,” Cochran says, “creating natural, distressed-looking bunkers and greens that blended perfectly.” The result are fairways that ripple and rumble from side to side and greens sometimes recessed into folds of the land. “The land is simply cascading toward Lake Taupo,” says Chris Cochran, longtime Nickaus senior designer, who assisted Nicklaus in the design, as did design coordinator Brian Pollock, who lived on the site for two years. Its slow gestation gave Nicklaus and his builders time to fine-tune every feature, including the routing that encompasses every possible slope and direction. Built along the base of volcanic slopes on New Zealand’s North Island, three hours south of Auckland, this outstanding Jack Nicklaus design was started in 2001 but not completed until 2007. ![]()
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